Showing posts with label Classic Rock Review. Show all posts
Showing posts with label Classic Rock Review. Show all posts

Roger Waters The Wall Concert Review



Hello everybody and Welcome to Best Shot Whisky Reviews where a shot of good old Classic Rock is always welcome as well. Today my dutch pall Terry Mace Hardyman gives us a short review of the Roger Water concert in Amsterdam last Sunday. Some pictures are included as well. Thanks a lot Terry, it's clear you had a great night despite some problems with the sound.
Cheers!
Jan

Roger Waters - The Wall - Amsterdam - September 8, 2013 

By special request a short review of Roger Waters performance of "The Wall" in the Amsterdam Arena, Sunday evening, 8th September 2013. The Amsterdam Arena can hold up to 45.000 spectators and was sold out to capacity. Although the Dutch press was very impressed by the performance, I myself was not too happy. The Amsterdam Arena has a bad reputation with regard to its acoustics. Apparently it depends where you are sitting. In my position the stage was to the right of me and from time to time, especially at maximum volume, the sound became "blurred" especially during "Comfortably Numb" during which number the solo guitar was completely drowned by the accompanying sound effects. 


Very impressive was the use of the so called "quadro" technique. For instance you experienced the sound of an aeroplane as if it were flying just above your head. As a visual experience "The Wall" was overpowering. The wall itself - consisting of white blocks - was built up from one end of the stage to the other and used as a huge projection screen on which all kinds of videos were projected including "live" close ups of the band. 


During the performance of the hit single "Another Brick in the Wall", Roger Waters was assisted by young children from a local Amsterdam school who performed magnificently. Roger thanked them for their cooperation in a "Pidgin Dutch" speech. All in all it has been an unforgettable evening. A pity that the sound (at least where I was sitting) was such a meddle (!). 

Driving home I played the CD in the car which sounded a lot better.

Terry Mace Hardyman                                            September 2013

The Writer (Left)

Led Zeppelin - Led Zeppelin III - Review

Led Zeppelin - Led Zeppelin III - 1970

Songs: Immigrant Song, Friends, Celebration Day, Since I've Been Loving You, Out On The Tiles, Gallow's Pole,Tangerine, That's the Way, Bron-Y-Aur Stomp, Hats Of To(Roy) Harper

Type of Music: Rock, Folk Rock and Blues with tiny bits of Glam Rock and Country

Comments:
After the huge success of the first two albums, I'm sure Jimmy and Robert called for a band meeting. Because they had to decide what to do musically. They could of course continue in the same style as Led Zeppelin I & II (Rock and Blues) with the danger that people would grow tired or try out some new directions with the danger of scaring off the old fans. I think they also wanted to show their fans they could write some music of their own without having to look for old blues songs. In the end the Band reached a compromise. I think that Jimmy and John got one side (of the original Album) that would be filled with Rock and Blues and Robert and (part of) Jimmy got the other side, basically filled with folk rock. I wouldn't go so far as to call this Robert's Album because Jimmy had already flirted with Folk music in his Yardbirds days but it is a fact that Robert's later solo-work is much more in line with Led Zeppelin III, than with I and II.
Led Zeppelin III tends to be the " forgotten" album as it was released between the top albums II and IV. Part of this is understandable as the fans of the first hour had expected the third album to be more in line with I and II. But Led Zeppelin III has aged well and with time most fans started to discover the jewels hidden on this Album. Today, there are numerous fans who rank it amongst their favourite Led albums. There is a reason for that namely the intrinsic quality of most of the songs. Let's have a look at them.
The album starts off with one of my favourite Led rockers. I don't care where they got the riff for the Nordic inspired Immigrant Song but it's timeless and Robert's vocals are great here. It had the same impact on me in those days as Paranoid by Black Sabbath. The text is an indication that the band paid more attention to the lyrics when compared to the previous Album. There are two more rockers on III, Celebration Day and the funky offbeat Out on the Tiles. Both are good although not spectacular. The first is a bit of a Glam Rocker that would have fitted on an Album from say T. Rex or David Bowie or the Sweet from the early seventies. The latter however should get much more attention than it usually does. However, they can't beat "Immigrant Song" in my opinion. 
Then we have the two blues songs on the Album. The absolute cracker Since I've Been Loving You and the weird and forgettable Hats Off to (Roy) Harper. The first of the two however is one of the all time great blues performances by any band in rock history. It would have fitted perfectly on their Debut Album. As it is, it forms a welcome interlude between the rockers and the folk. It's a very tight song with great vocals by Robert and an excellent solo from Jimmy that would be the inspiration for many solos in the eighties. 
Don't you consider Friends a rocker I hear you ask? Well yes, it is, but it's much more complex and almost psychedelic and it has grown a lot on me. For a number of years I considered it to be okay but nothing more but I've come to really appreciate this more experimental song with its unusual rhythm and great acoustic guitar from Jimmy. Today I consider it one of the highlights of the Album. 
That leaves us with the acoustic Folk Section. Gallow's Pole starts off slowly but when it gets underway there is no way of stopping it. Some country picking going on there as well if you pay close attention. And who of you is not tapping along with the country-folk rocker Bron-y-Aur Stomp? Impossible to sit still. And finally Tangerine and That's the Way, two beautiful folk/pop/rock songs that I consider to be a couple of the Led's finest moments. 
I know, Robert's vocals are a bit cocky from time to time as usual, but on this album it does not scare me off that much. Maybe a bit at the end of Gallows Pole. The Album still takes us back a bit to Led Zeppelin I and II but it also shows us some new directions without getting too eclectic as Houses of the Holy. 
There are people who have their reservations about this album and sometimes I do miss a bit of the force and the emotion that made Led Zeppelin I such a great record. Still, I consider it to be the hidden gem in the Led's work and it deserves a solid 8. 

Rating: ******** (8 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  Everybody!! A great Folk-Rock Album with excellent songs.

Jan van den Ende                    

April 2012

Pink Floyd - More - Review





Songs: Cirrus Minor, The Nile Song, Crying Song, Up the Khyber, Green is the ColourCymbaline, Party Sequence, Main Theme, Ibiza Bar, More Blues, Quicksilver, A Spanish Piece, Dramatic Theme
Type of Music: Psychedelic Folk-Rock (Space-Folk)  

By 1969, Pink Floyd was well appreciated in progressive art circles apparently as they were asked to write the soundtrack for Barbet Schroeder´s movie More. You have to bear in mind they were only active as a recording band for about 2 years. Also, they had little time to write and produce the soundtrack. Maybe that’s why Roger’s voice seems to sound a bit fragile at times. However, I believe it combines well with the spacey folk material on the album.
The story of the film goes as follows: In the midst of the psychedelic revolution, a young German, Stephan, leaves the Fatherland to travel. In Paris he meets the beautiful and mysterious Estelle and falls in love despite many warnings that the girl is a heroin addict. Estelle leaves for Ibiza and invites Stephan who follows. Despite the romantic setting of the island and the many parties it soon becomes clear to Stephan that Estelle indeed uses heroin. After his initial protests he soon gives in to temptation and the couple slowly but surely become junkies. Stephan also suspects that Estelle is sleeping with her dealer, a guy called Wolf. Despite everything the couple tries to get clean with the help of LSD.
It goes okay for a while until Wolf returns in their lives. Stephan is tormented by jealousy and resorts to heroin again. When a friend from Paris tries to persuade him to leave the island, he goes looking for Estelle as he doesn´t want to leave without her. She probably went out with Wolf and Stephan roams the island in a desperate quest. As he fails to find her, he takes an overdose and dies.
A heavy story indeed!!

And now The Music. This is likely to be the least known and most underrated album of the band. Probably because sound tracks are usually considered as nothing more than background music for the film itself. But that´s not the case here. Sure there are bits of music, like A Spanish Piece and Party Sequence, that only make sense when watching the movie but hey, there are some great songs here.

Most of the good stuff was written by Roger Waters who apparently used this album to try and create a style of his own. I’m sure the basis for later albums was laid here maybe even without Roger realising it.  Most of these goodies are actually folk rock tunes and they are stunningly beautiful. I consider Cirrus Minor the best but it is closely followed by Crying Song, Cymbaline and Green is the Colour. Listening to Cymbaline I believe I know where groups like Air and Groove Armada found their inspiration. This is perfect lounge music and we are talking 1969 here! There are some good instrumentals as well like the jazzy Up the Khyber, the obviously bluesy More Blues and the spacey Main Theme. This song seems to have inspired the German band Kraftwerk in their later work. Only Quicksilver is a mere collection of sounds without any meaningful direction.

Actually, the album would have been even better if it weren´t for two hard rocking Heavy Metal songs that seem completely out of place, although they aren’t bad songs. They do sound very similar. The Nile Song and Ibiza Bar might have inspired David Bowie to undertake his Berlin adventure. In fact I don’t believe Pink Floyd rocked in this style ever again. 
So my advise to you is to program your CD without those two songs, make yourself comfortable on the couch and pour yourself a nice dram of whisky. 


Just close your eyes while listening to the Main Theme or Quicksilver and you can almost imagine yourself floating in deep space!
Make sure you get the new re-mastered version!

Rating: ******** (8 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  This is an Essential Pink Floyd Album as it helps to define Roger’s style. It also has inspired other musicians in my opinion. As such it should be part of every great Classic Rock Collection

Stand Up - Jethro Tull - Review


SongsA New Day Yesterday, Jeffrey Goes To Leicester Square, Bourée, Back To The Family, Look Into The Sun, Nothing Is Easy, Fat Man, We Used To Know, Reasons For Waiting, For A Thousand Mothers. 

Type of Music: Mixture of Blues and (Hard) Rock with touches of Jazz, Folk and Classical Music.

Comments:
Guitarist Mick Abrahams left JT after This Was and was replaced by Martin Barre. This immediately resulted in a more Hard Rock orientated sound as opposed to the Bluesy atmosphere on the debut album. And that´s not at all bad.
In fact the combination of Martin´s guitar, Ian´s Flute and, not in the least, Ian's excellent songs make Stand Up one of the great Classic Rock Albums of all time. The whole album sounds very rough, sincere and to the point.

The instrumental Bourée is a good example. It´s the perfect mix between Classical Music and Rock. It’s stunningly beautiful. This is Classic Rock!

Stand Up is a great mix of (hard) rockers (A New Day Yesterday, Back To The Family, Nothing Is Easy, For A Thousand Mothers), ballads (Look into The Sun, Reasons For Waiting) and Folk (Jeffrey Goes To Leicester Square). This last song will serve as a reference for many of the Tull’s later Minstrel Songs.
The opener A New Day Yesterday is a great Blues Track transformed into Hard Rock with fine drumming and a perfect interplay between Martin’s Guitar and Ian’s Flute.

Quite different is the funny Fat Man, an Indian sounding George Harrison type of song. In fact, Ian managed to stay thin for a long time. And if you ever wondered where the Eagles found their inspiration for Hotel California, listen  to We Used To Know. Both the melody and guitar solo were “used” by Don Henley & Company.

At the end of the sixties, JT also released many great singles. Two of them, Living In The Past and Sweet Dream are included in this Remastered version released in 2001, together with Driving Song and 17.   

Jethro Tull would make other great records in the coming years. But few were as consistently good as this, their second Album. And Stand Up was a good title for the music still stands up after all these years!

Rating: ********* (9 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  This is both an Essential Tull as well as an Essential Rock Album. Therefore it should be part of your Rock Album Collection.

Bonus Tracks: Living in the Past, Driving Song, Sweet Dreams, 17 

David Crosby - Oh Yes I Can- Review



 David Crosby - Oh Yes I Can - 1989 


Songs: Drive my Car, Melody, Monkey and the Underdog, In the Wide Ruin, Tracks in the Dust, Drop Down Mama, Lady of the Harbor, Distances, Flying Man, Oh Yes I Can, My Country ´tis of Thee.

Type of Music:  Mostly Generic Rock and Ballads  

Comments:
David´s first Solo effort after finally having cured his Lebanese Flew. The mood of the album is very optimistic. David is letting us and his wife Jan (not a relative of mine) know that “ Oh Yes I Can still make music” and “Oh Yes I can still be the man you fell in love with”. And David invited a lot of friends to celebrate his return. The whole West Coast Scene took a train and went to the Studio. You will recognise Graham Nash, James Taylor, Jackson Browne, Bonnie Raitt, Steve Lukather and many others. And David´s band includes Russ Kunkel and Joe Vitale on Drums, Craig Doerge on Keyboards, Joe Lala and Danny Kortchmar on Guitars,  George Perry on Bass and Mike Finnegan on Organ. And, finally, David´s voice is back in full.
So everything and everybody is set to make a great record. Unfortunately that did not quite materialise because of two reasons. Firstly, the songs, mostly written by David alone or in association with Craig Doerge, are very mainstream and miss quality. And secondly, the production is very generic. Artists like Toto and Jackson Browne came to my mind when listening to Melody and In the Wide Ruin.       
There are some exceptions to the rule of course. There is quality in songs like Monkey and the Underdog and Tracks in the Dust. The first song is the story of David (The Underdog) in his battle against drugs (The Monkey). And in the second song we welcome Graham Nash´s harmony vocals. That probably explains why I consider this song to be the best on the album.
So yes, David is back and that´s great. But Oh Yes, You Can Do Better!!

Rating: ****** (6 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record: Only for the Ultimate David Crosby Fan. Not Relevant for the Rest of the Universe.

Led Zeppelin - Led Zeppelin II - Review


Songs: Whole Lotta Love, What Is And What Should Never Be, The Lemon Song, Thank You, Heartbreaker, Living Loving Maid (She’s Just a Woman), Ramble On, Moby Dick, Bring It On Home

Comments: Let’s go back for a moment to the debut Album. The cover of the album is really provoking. Of course it shows the burning Zeppelin “ Hindenburg” and you could argue that it symbolises a new band breaking into the seventies with full might. But in the end it represents the Phallus Erectus. Robert Plant like Ian Anderson of Jethro Tull fame was obsessed by it and it would be a great influence in the Led’s work.
After the release of their first album the band started touring in the UK and the USA. As always there was the commercial urge to produce a follow up so during the tour the band got into the studios in London, New York and Los Angeles from time to time to record. This rush basically had three important consequences:
  1.       There simply wasn’t enough time to record only new material. So the band used pieces of existing blues material that were part of their live shows. A lot has been said about them ripping up blues artists but I don’t see any problem there as it happens all the time in the music industry. I do think however they should have given sufficient credit to the authors;
  2.       The Sound Quality got a bit muddy. Again, much has been said about that. The original record suffered a bit from it but the re-mastered version released in 1994 is of excellent quality;
  3.       Since there was not enough time to produce layers upon layers, the music was crisp, energetic and very much to the point. 

The last observation becomes immediately clear when the Album Opener Whole Lotta Love (# 4 Billboard) breaks out the loudspeakers. A Great riff, great bass and great drums. A real explosion! I graduated from high school back in 1970 and this album was one of my presents alongside Santana’s first Album and Pearl by Janis Joplin. We played these records all day and all night while drinking a “couple” of beers. Yeah, I know, the middle part of Whole is a bit too long although it sounds rather cool when you listen to it with your headphones on. And Robert Plant made good his promise on the cover of the debut Album and had his first recorded orgasm. This part sounds a bit dated today but in 1969 we all loved it. Nobody had ever done that before.
In my opinion, What Is And What Should Never Be is the best track on the Album. It’s got everything that makes Led Zeppelins music so interesting. It’s dark and it’s light, it’s quiet and it’s loud and these combinations work perfect here. I suppose you could call it a ballad and as such it could have done without the screaming part. But I like it the way it is. It’s different and special. Great Song.
Robert Plant & the Squeezed Lemons then perform The Lemon Song. The band used a number of old blues classics and glued them together. It’s not a great song but it’s certainly interesting and the bass playing is amazing. As far as I could ascertain, Robert had his second and last musical orgasm here on Led Zeppelin II and even seemed to fall out of bed during the final stages.  
Thank You is a beautiful pop song with childish lyrics but with a great feeling to it. It was written for Robert’s wife Maureen and I suppose she was very touched by it. On the other hand there were these bands of groupies awaiting Robert after each concert so I’m not so sure what really happened when the mountains crumbled to the sea.
The songs Heartbreaker and Living Loving Maid are usually played together as almost one song and that works fine. Heartbreaker is a great Hard Rock Riff and one of the high marks of the Album. Jimmy really shines here. Living Loving Maid is a quite simple fast rocker but it’s well done and to the point.
Ramble On is a kind of folk-rock song that people either like or hate. I like the guitar playing a lot, am confused by the silly lyrics and annoyed with Robert’s screaming. But it’s not a bad song. It should have been a Single release but the band wasn’t into that sort of stuff. At least not at that point in time.
How many words would have been written about the drum solo in Moby Dick. It’s too long but in 1969 everybody included a drum solo on their albums so what the heck. Let’s forgive them for always and forever shall we? The song has a great Riff!
And finally there’s Bring It On Home, apparently sung by Robert through his harmonica or maybe some other gadget. You could argue the band was trying to sound as an authentic blues band or you could say they were trying to see if they could get away with anything. I think it’s okay although it might have fitted better on the debut album.
And that’s it, Led’s Second Album. In my opinion it’s a great album, just as good as the band's first effort. But it’s also completely different. The first album was a coherent Blues album with prog-rock and folk influences. This one however is a collection of great songs and a crossover of Hard Rock and Heavy Metal with the occasional references to the blues and a bit of folk. All the guys played extremely hungry and eager on this record with great results. If anything, the lyrics are a bit simple and dull but the music makes you forget that for most of the time. The Album meant the commercial and artistic breakthrough for the band. The cover of the album seems to confirm that with the Phallus seemingly exploding. Look out world, The Led is out!



Type of Music: Hard Rock and Heavy Metal mixed with bits and pieces of Progressive Rock, Blues and Folk.


Rating: ********* (9 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Sound Quality: Good. Be sure to get the re-mastered version.

Chart Success: The album made it to number 1 in the Billboard Album Top 200.

Who should buy this Record:  Everybody!!  Led Zeppelin’s Breakthrough Album and one of the true Classic Rock Albums of All Time. Get It Now!

Jan van den Ende                                   March 2012

This Was - Jethro Tull - Review





Songs:  My Sunday Feeling, Some Day the Sun won’t Shine for You, Beggar’s Farm, Move on Alone, Serenade to a Cuckoo, Dharma for One, It’s Breaking me Up, Cat’s Squirrel, A Song for Jeffrey, Round.

Type of Music: Late Sixties Blues Rock

Comments:
Jethro Tull is a Progressive Rock group formed in 1967 in Luton in the United Kingdom. Key Figures are band leader Ian Anderson and guitarist Martin Barre who joined the band in 1969. First some general remarks about Ian Anderson. If you can’t get used to Ian´s voice, it’s difficult to like Tull´s Music. Secondly, Ian is not the most modest guy on this earth. Many times that makes his songs and texts extraordinary, sometimes it makes them almost unbearable. You will encounter all of these when we follow Ian’s career throughout the years. Jethro Tull is still very active by the way and tours the world on a regular base.   

Now let’s return to This Was, Tull´s First album. Tull was not yet the successful Prog-Rock Band of the early/middle-seventies but just one of the many Blues Bands that were active in England in the late sixties. Guitarist Mick Abraham (blues back-ground) played an important part in the making of this album.
The Album is unknown to most Rock fans and that’s a pity because it deserves our attention.
It’s mostly right out Blues like in Someday The Sun Won’t Shine For You and It’s Breaking Me Up. On various occasions the songs are jazz-flavoured like Move On Alone, written by Mick Abrahams, and Serenade To A Cuckoo, written by Jazz Flutist Roland Kirk, where Ian starts to show us his magical flute playing abilities. There is some instrumental filler here as well such as the traditional Cat’s Squirrel and Round. And Dharma For One is more of a showcase for the individual players than an actual song.  
All throughout his career, Ian sometimes found it necessary to “ robotize” his voice in the way Moby does it today. I think that’s a pity and it downgrades the otherwise good A Song for Jeffrey. Although in 1968 many people probably loved these experiments as they were quite new in those days.
On the plus side we begin to discover the wonderful and unique combination of Blues and Rock and Ian’s Flute. This would produce great results in the future but it also works very well here in My Sunday Feeling and Beggar’s Farm, the best song on the album. This last song shows the difference of having Ian and his flute in your band. Great Lyrics as well.    

The Album was digitally re-mastered in 2001 and contains three bonus tracks, the instrumental One for John Gee, written for the owner of the Marquee Club in London where the Tull started playing live, the Indian flavoured Love Song and the somewhat unusual Christmas Song. They aren’t bad songs but I can perfectly live without them.

This Album is different from all other Tull Albums but certainly worth listening to.

Bonus Tracks: One for John Gee, Love Story, Christmas Song.

Rating: ******* (7 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  If you like late Sixties Blues Bands like Cream, John Mayall or Ten Years After this album is certainly well worth its money. Real Prog-Rock Tull adepts should start their collection elsewhere. 

Pink Floyd - A Saucerful Of Secrets - Review


Songs: Let There Be More Light, Remember a Day, Set the Controls for the Heart of the Sun, Corporal Glegg, A Saucerful of Secrets, See-Saw, Jugband Blues

Type of Music: Psychedelic Rock   

Comments:
Set the Controls for the Future of the Band. 

The Pink Floyd´s second Album is basically Part II of the Star Wars that started with The Piper at the Gates of Dawn. But there is one big difference: Syd Barrett. Or better, his absence. Lucy in the Sky with Diamonds got the better of him and he had to leave the band. 
One final song, Jugband Blues with the immortal last words "And what exactly is a joke? " marks his departure. It´s not a very good song unfortunately.
I'm sure that many a tear was shed by the remaining band members but I also suspect that Roger saw his chance here to lead the band in the direction he saw in his mind.

Still, with Syd out we miss the genius or the "madness" that had marked The Piper. Because Roger Waters is no Syd Barrett. He wrote his version of the Interstellar Overdrive and named it A Saucerful of Secrets. It´s not bad but I hear a craftsman and not a genius, crazy as Syd might have been. And Syd´s Scarecrow is now called Corporal Glegg and it´s only half as funny. Roger would find his own way in the seventies but to me this record is Roger´s Piper Revisited.
Richard Wright wrote (Weird Word Sequence) two songs for the album namely Remember a Day and See-Saw of which the first one is the better of the two. So everybody did their best to show they could manage without Syd, but maybe it was too early for that in 1968.

That leaves us with Set the Controls for the Heart of the Sun. It was written by Roger but the other band members contributed to the song as well and it is the only moment on the album where you sense that they are capable of writing an interesting, complex and experimental song as well. It´s too little to save A Saucerful from being more than an average Psychedelic Rock Album. It did however gave them confidence. The confidence they needed to be able to make Dark Side in the future.

Syd of course was replaced by Singer/Guitarist David Gilmour and that was a lucky hand as time would tell. 

Rating: ******* (7 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  Only for the real Floyd Fans. Of which there are a lot of course, including me!

Fleetwood Mac - Heroes Are Hard To FInd - Review




Fleetwood Mac - Heroes Are Hard To Find - 1974


Songs:  Heroes Are Hard To Find, Coming Home, Angel, Bermuda Triangle, Come A Little Bit Closer, She´s Changing Me, Bad Loser, Silver Heels, Prove Your Love, Born Enchanter, Safe Harbour

Type of Music: Mid-Seventies Pop-Rock.

The Band:
Mick Fleetwood                                     Drums and Percussion
John McVie                                             Bass
Christine McVie                                     Keyboards and Vocals
Bob Welch                                              Guitar and Vocals

Comments:
Bob Weston and Dave Walker had left the band by now and you would expect a return to true form from the remaining four key members.  Unfortunately this is not the case. Seven of the eleven songs are written by Bob Welch and none of them seem to go anywhere. Sometimes you get the feeling he tries to write prog-rock a la Yes or Pink Floyd like in Coming Home or Angel. He does not succeed though. Christine McVie wrote the remaining four songs. Of these, Heroes Are Hard To Find and Bad Loser are not too bad. But Prove Your Love and Come A Little Bit Closer are dull. With this Album Fleetwood Mac seemed to have reached a dead-end. But help was on its way!

Rating: ***** (5 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  Even True Mack Fans will find this a difficult listen.




Beatles - Help - Review



Beatles - Help - 1965


SongsHelp, The Night Before, You´ve Got To Hide Your Love Away, I Need You, Another Girl, You´re Going To Lose That Girl, Ticket to Ride, Act Naturally,It´s Only Love,You Like Me Too Much,Tell Me What You See,I've Just Seen A Face, Yesterday,Dizzy Miss Lizzy.


Type of Music: Mid Sixties Quality Pop. 

Comments:
The first seven songs on the Album form the Soundtrack of the Film of the same name, you´ve heard about but probably never saw. If you like a pleasant Pop album this is the place to be. Only two covers this time and, as usual, they don´t impress me. Ringo is allowed to sing Act Naturally and John rapes his own voice in Dizzy Miss Lizzy. 
But the Lennon/McCartney songs are mostly well done. The Title Track, Ticket to Ride and Yesterday are all Classics. It´s worthwhile to follow Ringo´s percussion in Ticket to Ride. Ringo is absolutely the underrated Beatle while in fact many times his drumming carries the songs. George participates in the party with two songs. Both I Need You and You Like Me Too Much are Okay. It´s also interesting to observe the Dylan influence in songs like You´ve Got To Hide Your Love Away and I´ve Just Seen A Face.      
In short, tons of fun on this album that is not superb all the time but hardly ever disappointing.  

Rating: ******** (8 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  Everyone who enjoys a pleasant  Sing-Along Sixties Pop-Album.



Black Sabbath - Black Sabbath - Review


Black Sabbath - Black Sabbath - 1970


Songs:  Black Sabbath, The Wizard, Behind The Wall Of Sleep, N.I.B., Evil Woman, Sleeping Village, Warning, Wicked World.

Type of Music: Heavy Metal/Hard Rock

Comments:
It was 1970 and I was spending the holidays with my family in the south of The Netherlands. It was raining and we decided to visit the city of Venlo. My grandmother was with us and she told me I could buy an Album at her expense. I went to a record store looking to buy Willy and the Poor Boys, the new Creedence Clearwater Revival Album. In those days you took the record to a small cabin that was equipped with head-phones. When I was enjoying Down on the Corner, I suddenly looked outside thinking a thunder storm was developing. And then suddenly I heard church bells and I realised they were coming from the cabin next to mine. And when the heavy guitar fell in I took off my head-phone, forgot all about Creedence and started to listen to that weird and scary sound. After 10 minutes I went out of the cabin and asked the shopkeeper what album the other guy was listening to. He told me it was the debut album of a British Hard Rock Group called Black Sabbath. I had never heard of them at the time but I really liked the sound and bought the album. Well, to be honest, I bought Creedence as well for old times sake.

Such was the impact of this album on an 18 year old teenager! After all those years my mind has not changed. I still think it´s the first great Heavy Metal Album and thanks to digital Re-Mastering the album sounds even better today.

Strangely enough there are various releases for sale with different song selections and changed song order. I consider this release on Castle Records (1999) the best. There are 8 songs on this specific release and only the last one Wicked World isn’t quite up to the high standard of this record. But the other seven are all great and that´s rare for any album.

It´s a very dark album with scary lyrics by Geezer Butler. I´m sure parents in general condemned the album as it might have had a negative influence on their kids. But that can´t take away the fact that this is great music. Ozzy never sounded better in my opinion. Starting with the second album it became more of The Ozzy & Tony show but here it´s a real group effort and the bass and drums have a prominent place.  I liked the album first time I heard it 41 years ago. And I still do. And that says enough about the quality of Black Sabbath´s debut album.
 

Rating: ********* (9 out of 10)
Black = Good Songs
Green = Great Songs
Red = Could Be Better

Who should buy this Record:  Everybody. This is essential Black Sabbath and one of the truly great Heavy Metal Albums.